{"id":1579,"date":"2016-02-29T12:13:44","date_gmt":"2016-02-29T12:13:44","guid":{"rendered":"\/?p=1579"},"modified":"2016-02-29T15:45:58","modified_gmt":"2016-02-29T15:45:58","slug":"transcender-le-corps-exposition-de-sculptures-en-bronze-de-gozde-can-koroglu","status":"publish","type":"post","link":"https:\/\/www.acort.org\/?p=1579","title":{"rendered":"\u00ab\u00a0TRANSCENDER LE CORPS » Exposition de Sculptures en bronze de G\u00f6zde Can K\u00d6RO\u011eLU"},"content":{"rendered":"

EXPOSITION \u00ab TRANSCENDER LE CORPS \u00bb (BEDENI A\u015eMAK)<\/strong>
\n SERG\u0130: \u00abBEDEN\u0130 A\u015eMAK\u00bb (T\u00fcrk\u00e7esi i\u00e7in a\u015fa\u011f\u0131ya bak\u0131n\u0131z )<\/strong>
\n Sculptures en bronze de G\u00f6zde Can K\u00f6ro\u011flu<\/strong>
\ndu 21 au 31 mars 2016<\/strong>
\n Rotonde de la mairie du 10\u00e8me\u00a0<\/strong><\/p>\n

Dans le cadre de la semaine \u2018La r\u00e9volte au f\u00e9minin\u2019<\/strong> organis\u00e9e par L\u2019ACORT \u00e0 l\u2019occasion du 8 mars, la journ\u00e9e internationale des droits des femmes,<\/p>\n

R\u00e9mi F\u00e9raud<\/strong>, Maire du 10e \u00a0et L\u2019Assembl\u00e9e Citoyenne des Originaires de Turquie \u2013 L\u2019ACORT<\/strong><\/p>\n

ont le plaisir de vous inviter au vernissage de l\u2019exposition<\/strong>
\nLe mercredi 23 mars \u00e0 19h30 <\/strong>
\nRotonde de la mairie du 10\u00e8me<\/strong>
\n<\/span><\/p>\n

La sculptrice G\u00f6zde Can K\u00f6ro\u011flu nous invite \u00e0 d\u00e9couvrir le combat de la cr\u00e9ation f\u00e9minine dans la Turquie d’aujourd\u2019hui et nous interroge : Quelle forme prendrait le corps s\u2019il \u00e9tait transformable au m\u00eame degr\u00e9 que le sont l\u2019esprit, l\u2019opinion et les sentiments ?<\/span><\/strong><\/em><\/p>\n

\u00ab\u00a0<\/strong>Les corps de G\u00f6zde Can K\u00f6ro\u011flu
\nLe corps est l’un des th\u00e8mes sur lesquels les artistes travaillent depuis des milliers d’ann\u00e9es. Ils essayent \u00e0 leur mani\u00e8re de mieux le comprendre en le reproduisant, le d\u00e9construisant et le reconstruisant. Que ce soit les Grecs qui id\u00e9alisaient les normes esth\u00e9tiques ou les Romains qui eux pr\u00e9f\u00e9raient avant tout une repr\u00e9sentation r\u00e9aliste, de tous temps les artistes ont tent\u00e9, via de tr\u00e8s diverses pratiques artistiques, d’analyser et d’interpr\u00e9ter le corps humain.
\nLes corps de G\u00f6zde Can K\u00f6roglu nous pr\u00e9sentent ainsi diff\u00e9rentes propositions d’interpr\u00e9tation de notre enveloppe charnelle. En d\u00e9construisant les id\u00e9es \u00e9tablies de l’esth\u00e9tique du corps, elle choisit consciemment les d\u00e9formations qu’elle lui inflige. Elle nous offre en ce sens sa perception propre, diff\u00e9rente de la r\u00e9alit\u00e9, en allongeant parfois des membres du corps, ou m\u00eame parfois en les supprimant.
\nOutre les d\u00e9formations qu’elle fait subir \u00e0 ses corps, G\u00f6zde Can K\u00f6ro\u011flu se concentre \u00e9galement sur les limbes dans ses autres \u0153uvres, nous permettant intentionnellement de nous interroger sur la vraie \u00ab\u00a0r\u00e9alit\u00e9 » du corps au-del\u00e0 de l’attente esth\u00e9tique.
\nL’interpr\u00e9tation expressionniste de cette artiste curieuse est une tentative d’analyse du corps humain, relan\u00e7ant de nombreuses questions sur lesquelles l’homme r\u00e9fl\u00e9chit depuis des si\u00e8cles. Elle permet ainsi par son art d’entrevoir une forme de r\u00e9ponse \u00e0 ces questions, \u00e0 savoir le revers des corps id\u00e9alis\u00e9s dans nos esprits auxquels nous sommes confront\u00e9s tous les jours. »
\nEsra Ali\u00e7avu\u015fo\u011flu,\u00a0<\/strong>Enseignante \u00e0 l’universit\u00e9 des Beaux-Arts Marmara.<\/strong><\/p>\n

8 Mart D\u00fcnya Kadinlar G\u00fcn\u00fc kapsam\u0131nda L’ACORT taraf\u0131ndan d\u00fczenlenen\u201c\u0130syanin kad\u0131n hali\u201d haftas\u0131 organizasyonu dahilinde;
\n<\/strong>R\u00e9mi F\u00e9raud<\/strong>, Paris 10.B\u00f6lge Belediye Ba\u015fkan\u0131\u00a0ve L’ACORT – T\u00fcrkiyeli Yurtta\u015flar Meclisi
\nsizleri sergi a\u00e7\u0131l\u0131\u015f\u0131na davet etmekten memnuniyet duyar.<\/p>\n

\u00a0BEDEN\u0130 A\u015eMAK
\n<\/strong>G\u00f6zde Can K\u00f6ro\u011flu Heykel Sergisi
\n<\/strong>23 Mart 2016 Carsamba saat 19.30
\n<\/strong>Rotonde de la mairie du 10e<\/strong><\/p>\n

Heykeltra\u015f G\u00f6zde Can K\u00f6ro\u011flu bizi g\u00fcn\u00fcm\u00fcz T\u00fcrkiyesinde kad\u0131n yarat\u0131c\u0131l\u0131\u011f\u0131n\u0131n m\u00fccadelesini ke\u015ffetmeye davet ediyor ve bizlere \u015funu sorgulat\u0131yor : Modern toplumda yok olan ve farkedilmeyen bireyin tek g\u00f6r\u00fcn\u00fcrl\u00fc\u011f\u00fc olan beden; zihni fikirleri ya da duygular\u0131 kadar elastik ve d\u00f6n\u00fc\u015febilir olsayd\u0131 nas\u0131l bir \u015fekil al\u0131rd\u0131?<\/strong><\/em><\/p>\n

\u201cG\u00f6zde Can K\u00f6ro\u011flu\u2019nun Bedenleri
\nBeden, \u00f6teden beri sanat\u00e7\u0131lar\u0131n \u00fczerinde \u00e7al\u0131\u015ft\u0131\u011f\u0131, anlamaya ve anlamland\u0131rmaya u\u011fra\u015f\u0131rken bozup yeniden \u00fcretti\u011fi en \u00f6nemli mecralardan biri. \u0130ster estetik normlar\u0131 idealize eden Yunanl\u0131lar, ister ger\u00e7ekli\u011fi her \u015feyin \u00f6n\u00fcnde tutan Romal\u0131lar olsun, t\u00fcm zamanlar\u0131n sanat prati\u011finin bedene ili\u015fkin bir \u00e7\u00f6z\u00fcmleme \u00e7abas\u0131 oldu\u011funu s\u00f6yleyebiliriz. G\u00f6zde Can K\u00f6ro\u011flu\u2019nun bedenleri de i\u015fte bu yorum \u00f6nerilerinin varyasyonlar\u0131n\u0131 sunuyor. Bedenin yerle\u015fik estetik alg\u0131s\u0131n\u0131 bozarak, bilin\u00e7li bi\u00e7im bozmalara giden sanat\u00e7\u0131, uzuvlar\u0131 kimi zaman uzatarak, kimi zaman yok ederek, kimi zaman ise yerlerinden kopararak farkl\u0131 bir ger\u00e7eklik alg\u0131s\u0131 olu\u015fturuyor. G\u00f6zde Can K\u00f6ro\u011flu, bedende yaratt\u0131\u011f\u0131 bu deformasyonlar\u0131n yan\u0131 s\u0131ra uzuvlara, torsolara odakland\u0131\u011f\u0131 kimi yap\u0131tlar\u0131nda ise bedenin saf ger\u00e7ekli\u011fini \u00f6zellikle estetik beklentinin \u00e7ok \u00f6tesine ta\u015f\u0131yarak ger\u00e7ek \u201cger\u00e7e\u011fi\u201d sorgulamam\u0131za olanak sa\u011fl\u0131yor. Sanat\u00e7\u0131n\u0131n insan bedenine ili\u015fkin geli\u015ftirdi\u011fi bu d\u0131\u015favurumcu yorum ve \u00e7\u00f6z\u00fcmleme \u00e7abalar\u0131, y\u00fczy\u0131llard\u0131r \u00fczerinde d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcm\u00fcz sorulara ili\u015fkin bireysel bir tav\u0131r ortaya koyuyor. Ya da hemen her g\u00fcn zihnimize pompalanan ger\u00e7ekd\u0131\u015f\u0131 ideal bedenlerin \u00f6teki y\u00fcz\u00fcn\u00fc g\u00f6r\u00fcn\u00fcr k\u0131l\u0131yor.\u201d
\nEsra Alicavu\u015fo\u011flu<\/strong><\/p>\n

Cette activit\u00e9 sur le site :\u00a0Que\u00a0Faire \u00e0 Paris<\/a><\/strong><\/p>\n

Retrouvez cette activit\u00e9 sur Facebook<\/span><\/a><\/strong><\/p>\n

Avec le soutien de:
\n<\/strong><\/p>\n

\"paris\"<\/a><\/p>\n

\"LogoFsNbHd\"<\/a><\/p>\n

\u00a0\"Mairie-10_quadrirouge\"<\/a><\/p>\n

\"Exposition_Gozde_Can_koroglu1_21_mars_2016\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

EXPOSITION \u00ab TRANSCENDER LE CORPS \u00bb (BEDENI A\u015eMAK) SERG\u0130: \u00abBEDEN\u0130 A\u015eMAK\u00bb (T\u00fcrk\u00e7esi i\u00e7in a\u015fa\u011f\u0131ya bak\u0131n\u0131z ) Sculptures en bronze de G\u00f6zde Can K\u00f6ro\u011flu du 21 au 31 mars 2016 Rotonde de la mairie du 10\u00e8me\u00a0 Dans le cadre de la semaine \u2018La r\u00e9volte au f\u00e9minin\u2019 organis\u00e9e par L\u2019ACORT \u00e0 l\u2019occasion du 8 mars, la journ\u00e9e […]<\/p>\n","protected":false},"author":1,"featured_media":1586,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[7,6],"tags":[],"class_list":["post-1579","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actions","category-main-page"],"jetpack_shortlink":"https:\/\/wp.me\/phpk4M-pt","jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/www.acort.org\/wp-content\/uploads\/2016\/02\/Exposition_Gozde_Can_koroglu_21_mars_2016.jpg","_links":{"self":[{"href":"https:\/\/www.acort.org\/index.php?rest_route=\/wp\/v2\/posts\/1579","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.acort.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.acort.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.acort.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.acort.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1579"}],"version-history":[{"count":22,"href":"https:\/\/www.acort.org\/index.php?rest_route=\/wp\/v2\/posts\/1579\/revisions"}],"predecessor-version":[{"id":1617,"href":"https:\/\/www.acort.org\/index.php?rest_route=\/wp\/v2\/posts\/1579\/revisions\/1617"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.acort.org\/index.php?rest_route=\/wp\/v2\/media\/1586"}],"wp:attachment":[{"href":"https:\/\/www.acort.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1579"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.acort.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1579"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.acort.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1579"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}